Steven Soderbergh’s psychological thriller, shot entirely on iphone, is well written, well refined, and clench inducing.

While it’s iphone-quality may turn some off, Soderberg utilizes the camera’s wide angle and deep focus to fully play into it’s characters insanity and the 90’s pulpy TV show feel of the feature. It may look cheap, but it never seems like a student film, and won’t be remembered as another “film shot on iphone”.

 

 

 

Advertisements

Posted by Ben Robins

Editor-In-Chief of CULTASTIC. Full-time film critic, part-time screenwriter. Occasional human being.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

w

Connecting to %s