Steven Soderbergh’s psychological thriller, shot entirely on iphone, is well written, well refined, and clench inducing.

While it’s iphone-quality may turn some off, Soderberg utilizes the camera’s wide angle and deep focus to fully play into it’s characters insanity and the 90’s pulpy TV show feel of the feature. It may look cheap, but it never seems like a student film, and won’t be remembered as another “film shot on iphone”.




Posted by Ben Robins

Editor-In-Chief of CULTASTIC. Full-time film critic, part-time screenwriter. Occasional human being.

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